Clubhouse Conversations
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Reed Morano, ASC: Deciding to Direct
Why she decided to also photograph Meadowland, what implications that had for the production, and dealing with her cast. Morano also discusses her status as a role model for other filmmakers.
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Haskell Wexler, ASC: Medium Cool
The genesis of Medium Cool, a fiction/nonfiction hybrid Wexler wrote, directed and shot in Chicago during the tumultuous summer of 1968.
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Mountain Between Us: Mandy Walker, ASC, ACS - Part 1
Walker discusses her work in The Mountain Between Us, the dramatic story of two strangers stranded on a mountain after a tragic plane crash who must work together to endure the terrain - Part 1
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Wonderstruck: Ed Lachman, ASC - Part 1
Lachman discusses his work in drama Wonderstruck, directed by Todd Haynes and based on the novel by Brian Selznick - Part 1
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Dean Cundey, ASC: Q&A
Cundey takes questions from the ASC Breakfast Club audience.
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John Toll, ASC: Almost Famous
Moving away from war pictures and big exteriors, Toll shares his approach to this tale of 1970s rock stardom.
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John Seale, ASC, ACS: The Look of Mad Max: Fury Road
Seale describes George Miller's decisions about what could be 'fixed in post' and how he incorporated visual effects to create the final look of the film.
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The Crown: Adriano Goldman, ASC, ABC - Part 1
Goldman discusses his work in The Crown, which follows the political rivalries and romance of Queen Elizabeth II's reign and the events that shaped the second half of the 20th century - Part 1
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Caleb Deschanel, ASC Discusses His Camera in the ASC Museum - Short
A portion of Caleb's discussion about his Eclair CM3, and his use of it during his career.
Clubhouse Conversations Collections
Friends of the ASC have access to the ASC's vast digital archive, offering more than 400 entries featuring Clubhouse discussions, extensive interviews with ASC legends, and Tech Tips videos with demonstrations for a wide variety of lighting situations using a range of gear – from professional equipment to improvised solutions.