Haskell Wexler, ASC on Teamwork
An American Cinematographer Subscriber Exclusive, Haskell Wexler, ASC discusses the importance of teamwork.
AC Subscriber Exclusive - Gordon Willis, ASC
This Subscribers-only excerpt is from a 6-hour long interview with Willis, which will be the basis of a forthcoming documentary from the ASC.
Owen Roizman, ASC: Shooting the French Connection
Shooting The French Connection using available light in the subway sequences, shooting in freezing temperatures, and his surprise at how much many zoom shots are in the film.
Owen Roizman, ASC: The 'Poster' Shot for The Exorcist
Roizman reveals how they created the seemingly impossible poster image of The Exorcist, a blindingly bright light shining through a window with closed curtains.
Owen Roizman, ASC: The Taking of Pelham, One , Two, Three
How he convinced the producers to shoot anamorphic on the film, and well as his pioneering technique of pre-flashing the film stock to get more detail in the shadows.
Owen Roizman, ASC: Network and Sidney Lumet
Roizman talks about working with Sidney Lumet, his drive, organization and professionalism, as well as his dispute with Faye Dunaway over her lighting.
Owen Roizman, ASC: Tootsie and director Sydney Pollack
The challenges of lighting Tootise so that Dustin Hoffman would 'pass' as a woman, including keeping the temperature on set low so he wouldn't sweat.
Owen Roizman, ASC: ASC and the Future
Roizman talks about early memories of the ASC, the society's role in the craft of cinematography, being a past President of the ASC, and the society's future.
Haskell Wexler, ASC: Being an Assistant in Newsreels
A behind-the-scenes, first person account of how news images are captured, and sometimes staged.
ASC Legends Collections
ASC Legends Video Collection
Revealing interviews produced by the ASC that explore the art and craft of prominent members' careers.