American Cinematographer contributor Jim Hemphill chats with Pain and Gain cinematographer Ben Seresin, ASC, BSC about working with director Michael Bay on this ambitious and kinetic film.
The filmmakers often shot 60-90 setups in a single day, and used more than 20 different types of cameras for various effects. The resultant film is a bold visual statement, offering viewers unique and innovative perspectives.
American Cinematographer interviews cinematographers, directors and other filmmakers to take you behind the scenes on major studio movies, independent films and popular television series.
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