Parallax View Blog
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Parallax View
From Marshall to Arcade Fire: Newton Thomas Sigel, ASC
Catching up with the cinematographer's recent work in classic period drama and metaphorical imagery.
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Parallax View
Russell Carpenter, ASC and The Calling
The Oscar-winning cinematographer details his recent experience with the Canon EOS C700.
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Parallax View
Billy Dickson, ASC Wears Many Hats on Believe
When Parallax View last checked in with Billy Dickson, ASC, he was putting the finishing touches on IQ-Supremacy, aka Palmer Supremacy, a web series-turned-feature film which served as proof of concept for a new approach to shooting almost entirely against greenscreen...
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Parallax View
Jon Joffin, ASC Blends Old and New Technologies
Jon Joffin, ASC has always been fascinated by very early photographic technology, such as the daguerreotype. Knowing how these older processed worked sometimes comes in handy when he’s trying to achieve a certain effect using the latest digital tools...
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Parallax View
Fiore and Prieto Choose Film
The declining use of film negative, after years of losing ground in feature film production, seems to have leveled off. And using the venerable format is still a viable creative option, especially on bigger productions.
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Parallax View
The Artistic Journey of Vittorio Storaro, ASC, AIC
The master cinematographer discusses his lifelong passion for color, in part inspired by the great painters he so admires.
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Parallax View
John Schwartzman, ASC Discusses Large-Format Optics
I had the chance to speak with John Schwartzman recently, and our conversation turned to technology, as it often does...
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Parallax View
Guillermo Navarro, ASC, AMC Considers His Journey
I recently had a fascinating conversation with Guillermo Navarro, in which we discussed his long road to success, where he is now perceived not only as a competent filmmaker, but one capable of extraordinary work.