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Filmmaker's Forum
Digging Deep Into My Vocation
The cinematographer details her experience on the creative endurance test of shooting a weekly series.
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President's Desk
President’s Desk: Bending Light
Light is a strange and powerful phenomenon — in what we do with it as cinematographers, and in reference to the very essentials of life and the intricacies of nature that inspire us as image makers.
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TheFilmBook
Colorist Peter Doyle — HDR, Vintage Workflows, Etiquette
A video edit of colorist Peter Doyle speaking about HDR, color, the film print legacy and post-production etiquette, from footage shot at an AFC event in Paris.
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John's Bailiwick
Goodbye to Sudan
Story of the White Rhino: A fond farewell to one of the last of his kind — though not one without hope.
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Parallax View
Television Cinematography Tools Survey
Some initial findings on which cameras, lenses, aspect ratios and capture formats are being used in television production today — from sitcoms to high-end dramas.
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TheFilmBook
Cinema 2018 - 9 Key Trends / Challenges
Netflix is revolutionizing the business of the film industry, at a time of a beautiful Renaissance in cinematography and powerful Series Cinema. This post offers a snapshot of the state of cinema in 2018, and reflects on 9 key trends and challenges that may shape its future.
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President's Desk
President’s Desk: The Waving, Bobbing Camera
What the New Wave taught us — and what the bobbing camera reminds us — is that we should not be slaves to the medium.
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John's Bailiwick
Wormwood: Errol Morris
Errol Morris' disruptive technique, which in Wormwood emerges as a masterful, disciplined display of cinematic bravado, has always made him not just an outlier in the cozy quarters of documentary film, but a barn-burning radical.
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