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John's Bailiwick
Balkon, A Photo Diary: Orhan Pamuk
At age 60, Turkish Nobel Laureate Orhan Pamuk bought a Canon 5D camera with a telephoto zoom lens, set it up on a tripod on the balcony of his apartment and began to take photographs of the Bosphorus and its ever-changing light.
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President's Desk
President’s Desk: Radical Optimism
What’s to come of our role as cinematographers? Will it diminish, or be robotized and made subservient to some master?
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John's Bailiwick
The Museum of Innocence: Orhan Pamuk
The Museum of Innocence in Istanbul, created by Nobel Prize-winning author Orhan Pamuk, is like no other museum in the world.
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Filmmaker's Forum
Filming With Firearms
Firearms experts and cinematographers form relationships that go beyond mutual respect. We share many characteristics. We want it good, we want it safe, we want it quick, and we want it within budget.
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President's Desk
President’s Desk: Never Regret Thy Fall
As cinematographers, we adapt. The goal is to satisfy our hunger to seize new ground, to make powerful imagery, and to work without a map — or a net.
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TheFilmBook
Bruno ExcelLens — Watching Bruno Delbonnel, ASC, AFC Accept his Angénieux Award
An account of Angenieux' ExcelLens tribute to Bruno Delbonnel with photos and video.
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John's Bailiwick
Monument Valley in the Movies
It not only embodies the most iconic desert imagery of American movies, but also represents the very idea of the American West. Monument Valley may be only 13 square miles of red-rock sand, but it is country of heroic imaginings.
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Shot Craft
Pro Perspective: Ian S. Takahashi — Taking the Plunge
What happens when a story takes us underwater? How many of us have the first clue how to photograph action that takes place in such a radically different environment?
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