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TheFilmBook
Cannes versus Netflix - International Cinema, Global Audience
A view from Paris of the conflict between the Festival and the streaming giant, that evokes questions about the future of global cinema and its global audience
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John's Bailiwick
Raymond Cauchetier @ Notre Dame de Paris
Though Notre Dame de Paris was not one of the churches Raymond Cauchetier photographed extensively, at my request, he sent me some of that work in the wake of the April 15 fire. I’d like to share it with you here.
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Shot Craft
Understanding Polarizing Filters
The effects of these special filters cannot be easily mimicked with digital tricks, making the understanding of their use important for every creative cinematographer.
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John's Bailiwick
Agnès Varda: At the Oscars
Varda, who was dubbed “the godmother of the Nouvelle Vague,” died March 29 in Paris. She was the oldest filmmaker to be nominated for a competitive Oscar.
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President's Desk
President’s Desk: A Film By… Part 2
“Frankly, I am not aware of cinematographers trying to pry credit from directors, but it does occur that directors pry credits from cinematographers, including with the ‘film by’ credit.”
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TheFilmBook
2 Videos from Belgrade - Imago Awards, Ed Lachman
2 videos from the Imago Cinematography Awards Festivities in Belgrade, Serbia
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Shot Craft
The Ins and Outs of 2nd Unit
Second-unit crewmembers are among the unsung heroes of production.
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John's Bailiwick
Gould, Bach and the Goldbergs
The opening bars of J.S. Bach’s Goldberg Variations are inscribed on the headstone of Glenn Gould’s grave, located in a remote part of Toronto’s Mount Pleasant Cemetery. No musician is as closely identified with Bach’s keyboard music as this Canadian pianist.
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