Kees van Oostrum, ASC
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President's Desk
President’s Desk: Camerimage and the Renaissance
What will become of this essential event? “The thought of moving forward without the festival and losing all that it represents hurts deeply.”
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President's Desk
President’s Desk: The Nine Lives of the Cat!
“What baffles me to this day is that other manufacturers have seemed to adopt the idea of a well-balanced camera only reluctantly and never completely.”
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President's Desk
President’s Desk: Parts Unknown
“It’s always fascinating to absorb the various opinions, concerns, ways of working and more from cinematographers around the world. There’s an interesting parallel between each region’s unique approach to cinematography and the variety of food that’s served in these places.”
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President's Desk
President’s Desk: Film Is Dead!
The argument can be made that we might eventually outrun ourselves with digital technology, and that we sometimes seem to bet hopelessly on a dead horse, so to speak.
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President's Desk
President’s Desk: The Master of Light, Deconstructed
“Robby, wherever in the universe you are now, we miss you dearly.”
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President's Desk
President’s Desk: The Blind Awakening
High dynamic range is among the latest and certainly one of the most game-changing technologies to impact our work as cinematographers. But is it a step forward or back?
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President's Desk
President’s Desk: The Flat World
“It looks like we, as cinematographers, will be racking up more frequent-flyer miles than ever... Let’s face it: Our industry has become a global one.”
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President's Desk
President’s Desk: I Am a Camera
Thoughts on the great Geoffrey Unsworth, BSC and his influential, Oscar-winning camerawork in Bob Fosse’s Cabaret (1972), among other films.
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