-
John's Bailiwick
Los Alamos at the Met: William Eggleston
The Metropolitan Museum of Art’s recent exhibition of William Eggleston’s groundbreaking five-volume portfolio of 75 dye-transfer prints titled Los Alamos was the first time the complete work has been shown in New York City. What makes that especially remarkable is that this body of work was Eggleston’s first in color.
-
TheFilmBook
Post-Cannes - FaceTime Godard
Highlights from Jean-Luc Godard's memorable press conference during the Cannes Film Festival
-
President's Desk
President’s Desk: The Flat World
“It looks like we, as cinematographers, will be racking up more frequent-flyer miles than ever... Let’s face it: Our industry has become a global one.”
-
John's Bailiwick
Sylvia Sidney: A Star in 7 Decades
Even before I knew much about Sylvia Sidney’s seven-decade career, this single image of her haunted me. Recently, after watching Street Scene on TCM, I decided to investigate this most unique face from Hollywood’s golden age.
-
John's Bailiwick
Be Natural: Alice Guy-Blaché and Pamela B. Green at Cannes
Fifty years after her death at age 94 in Wayne, N.J., pioneering French filmmaker Alice Guy-Blaché made it, finally, to the Cannes Film Festival. She was the subject of the documentary Be Natural, which screened in the Cannes Classics section of the festival.
-
President's Desk
President’s Desk: I Am a Camera
Thoughts on the great Geoffrey Unsworth, BSC and his influential, Oscar-winning camerawork in Bob Fosse’s Cabaret (1972), among other films.
-
TheFilmBook
Cinematography Preview of Cannes 2018
A preview of some of the cinematography of the 2018 Cannes Film Festival
-
John's Bailiwick
Joseph Strick at Muscle Beach
Running less than 10 minutes, Muscle Beach is a 35mm black-and-white non-sync-sound masterpiece that celebrates the small pleasures of daily life in Southern California in 1948.
Subscribe Today
Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource.
Print Edition Digital Edition
