Stacey Steers: The Edge of Alchemy

The Telluride Film Festival program notes for Stacey Steers' The Edge of Alchemy described the film as a “surreal entomological odyssey....” That's a bit like trying to describe Battleship Potemkin as a montage-based film essay about a ship mutiny.

President’s Desk: Resolution Resolved!

“You can’t depend on your eyes when your imagination is out of focus.”

Russell Carpenter, ASC and The Calling

The Oscar-winning cinematographer details his recent experience with the Canon EOS C700.

Janet Cardiff, Thomas Tallis and Spem in Alium

In the wake of the 2001 terrorist attacks, the deep spiritual conviction of Thomas Tallis' Spem in Alium became a soundtrack to my soul as other great music seldom had.

Monumental Intimacy - The Experience of Dunkirk

President’s Desk: Arri and the Bicycle

Memories of a life spent dreaming of and working with Arri cameras.

Shelby Lee Adams: Salt and Truth

You may not find much racial or ethnic “diversity” in Shelby Lee Adams’ portraits, but if you look with open eyes, you will find that same sense of vulnerable and conflicted humanity that he sees through his viewfinder.

Jeanne Moreau Is the French New Wave

The French New Wave reinvented the rules of screenplay writing, narrative structure and cinematography, and it was defined by the face of one actor: Jeanne Moreau.