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President's Desk
President’s Desk: Number “8”
A potential solution to how we identify ourselves as cinematographers might be to rely on numbers rather than abbreviations.
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John's Bailiwick
Ara Güler: The New York Exhibition
An exhibition at the Gustav Heye Center celebrates a facet of Ara Güler's photography that is too seldom seen.
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TheFilmBook
Gemini Man: Building A Virtual Face
Guy Williams from Weta Digital details the creation of the face of the virtual character in Gemini Man, with comments by director Ang Lee and actor Will Smith.
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TheFilmBook
Preview of EnergaCAMERIMAGE 2019
The biggest and best cinematography festival in the world begins Saturday, Nov. 9 in Torun, Poland.
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Shot Craft
Sound Track
Discussing the key on-set collaboration between the sound department and the camera crew.
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John's Bailiwick
Gustave Caillebotte: The Floor Scrapers
Wandering through the Jeu de Paume galleries in the summer of 1962, I was totally gobsmacked — yes, that’s the right word — by a painting and a painter that seemed to belong to an era beyond the scope of the museum, an escapee from the future.
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President's Desk
President’s Desk: Optical Unconsciousness
When we talk about lenses for cinematography, most cinematographers are knowledgeable and opinionated.
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John's Bailiwick
Robert Frank in His Own Words
Anyone who has judged Robert Frank's The Americans as a dispassionate outsider’s view of humanity is likely to find the documentary Leaving Home, Coming Home almost unbearably personal and empathic.
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