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Interview
Family Business: Supernatural
Serge Ladouceur, CSC details how his visual approach to this imaginative, long-running genre series evolved with storytelling tactics and technology, leading to new creative choices.
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Interview
ASC Close-Up: Josh Bleibtreu
“Remember filmmaking is a team effort. You need to be a positive leader, listen to your crew, and be open to what Conrad Hall called ‘happy accidents.’”
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Interview
ASC Close-Up: Charlie Lieberman
“My favorite thing about being in the ASC has been the opportunities I’ve had to give back to young people just starting their careers.”
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Interview
Lives Under Siege: The Goldfinch and 1917
Taking on contemporary drama and the depths of war, Roger Deakins, ASC, BSC shoots The Goldfinch and 1917.
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Interview
Stormy Isle: The Lighthouse
Cinematographer Jarin Blaschke shoots with black-and-white negative, vintage lenses and custom filters to emulate the orthochromatic film stock of old.
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Interview
Dual Nature: Shadow
Zhao Xiaoding, ASC, CNSC helps bring the visual language of Chinese ink-brush painting to the action and intimacy of this stylish drama.
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Interview
ASC Close-Up: Buddy Squires
“ASC membership has given me a highly respected platform to promote the central role of cinematography in today’s documentaries.”
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Interview
Problem Solving on Terminator: Dark Fate
Storytelling amidst a sea of technical details is a test for every cinematographer, but this sci-fi sequel took the dynamic to a new level for director of photography Ken Seng.
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