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Interview
Lives Under Siege: The Goldfinch and 1917
Taking on contemporary drama and the depths of war, Roger Deakins, ASC, BSC shoots The Goldfinch and 1917.
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Interview
Stormy Isle: The Lighthouse
Cinematographer Jarin Blaschke shoots with black-and-white negative, vintage lenses and custom filters to emulate the orthochromatic film stock of old.
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Interview
Dual Nature: Shadow
Zhao Xiaoding, ASC, CNSC helps bring the visual language of Chinese ink-brush painting to the action and intimacy of this stylish drama.
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Interview
ASC Close-Up: Buddy Squires
“ASC membership has given me a highly respected platform to promote the central role of cinematography in today’s documentaries.”
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Interview
Problem Solving on Terminator: Dark Fate
Storytelling amidst a sea of technical details is a test for every cinematographer, but this sci-fi sequel took the dynamic to a new level for director of photography Ken Seng.
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Interview
ASC Close-Up: Todd A. Dos Reis
“Membership gives me a platform to help find ways of reaching an underrepresented, diverse community like the one I came from.”
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Interview
Jody Lee Lipes on Shooting A Beautiful Day in the Neighborhood
The cinematographer discusses his visual approach, revealing a carefully designed plan to mingle Fred Rogers’ imaginative realm with the project’s narrative and characters.
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Interview
Ford v Ferrari: Inside the Arena with Director James Mangold
Director James Mangold on his visual approach to the project and his longtime collaboration with Phedon Papamichael, ASC, GSC.
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