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Historical
Natural Born Killers Blasts Big Screen With Both Barrels
Director Oliver Stone and cinematographer Robert Richardson, ASC empty the cinematic clip in kaleidoscopic tale of serial murder and media mayhem.
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Historical
Saul Bass: A Modern Approach to Film Titling
A look at the work of the industry legend in the midst of his career, forever changing opening title sequences.
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Historical
The Photography of Patton
How the in-depth character study of a controversial general was made into a spectacular motion picture.
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Historical
Jurassic Park: Effects Team Brings Dinosaurs Back from Extinction
Stan Winston and Michael Lantieri detail their real-world practical solutions to creating the film’s huge stars.
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Historical
Those Funny Boys: Laurel and Hardy
A few inside facts about the screen’s funniest pair of comedians and the man who has photographed most of their pictures.
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Historical
Alien3: In Space, They’re Still Screaming
Alex Thomson, BSC discusses the difficulties of shooting in corridors full of fire, and how Alien3 helped him in the wake of David Lean's passing.
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Historical
Terminator 2: Judgment Day — For FX, The Future Is Now
In a recent interview regarding ILM's extraordinary work on Terminator 2, Dennis Muren, ASC takes a knowledgable look into the future of motion-picture visual effects.
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Historical
Terminator 2: Judgment Day — He Said He Would Be Back
The fight for the future of humanity continues on in James Cameron's epic sci-fi action sequel, as shot by cinematographer Adam Greenberg, ASC.
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