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Historical
Wrap Shot: Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb
Gilbert Taylor, BSC discusses his work on Stanley Kubrick’s dark Cold War satire.
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Historical
Predator Dispenses Invisible Terror
Director of photography Don McAlpine discusses his work on the sci-fi action feature, involving remote locations and complex effects.
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Historical
Drive: Road Warriors
Newton Thomas Sigel, ASC and director Nicolas Winding Refn craft a violent fairytale on the streets of Los Angeles.
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Historical
Fargo: Cold-Blooded Scheming
Roger Deakins, ASC, BSC teams with Joel and Ethan Coen for the third time, to tell a tale of a kidnapping gone awry in the chilly clime of Minnesota.
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Historical
Blade Runner: Special Photographic Effects
An interview with special photographic effects supervisor David Dryer, detailing some of the techniques used to create the film’s outstanding visuals.
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Historical
Two-Faced Treachery: Dr. Jekyll and Mr. Hyde
By breathing life into this classic tale, director Rouben Mamoulian and cinematographer Karl Struss, ASC set an eerie tone for schizophrenic chillers to come.
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Historical
Mobilizing Army of Darkness Via “Go-Animation”
A first-hand look at Sam Raimi’s latest effects-laden extravaganza, which further blazes the trail pioneered by Ray Harryhausen.
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Historical
Eccentric Is the Word for Beetlejuice
Shooting director Tim Burton's comedic tale of ghosts and the afterlife was a creative challenge for cinematographer Thomas E. Ackerman.
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