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Historical
Tangerine: iPhone Enables Streetwise Story
Shot largely in natural light, the look of this edgy indie drama was enhanced with anamorphic adapter and an imaging app.
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Historical
Kill Bill Vol. I : A Bride Vows Revenge
Robert Richardson, ASC lends his keen grasp of aesthetics to this genre-blending martial-arts extravaganza.
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Historical
School Daze — Black College is Background
Examining cinematographer Ernest Dickerson’s close collaboration with writer-director Spike Lee and production designer Wynn Thomas on this ambitious musical-comedy.
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Historical
A Simple Plan: The Root of Evil
Director Sam Raimi and cinematographer Alar Kivilo, CSC adopt an austere, unaffected style for this psychological thriller that explores the insidious influence of dirty money.
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Historical
Sound and Fury: The Perfect Storm
Director Wolfgang Petersen and cinematographer John Seale, ASC, ACS, whip the sea into a frenzy.
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Historical
Best Achievement In Cinematography: Butch Cassidy and the Sundance Kid
Conrad Hall, ASC, awarded coveted Oscar as top cinematographer of 1969, discusses challenges and techniques of photographing the winning film.
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Historical
On Location with Jaws
Seeking realism for the filming of a bestseller about a killer great white shark, film crew works under enormous difficulties at sea off Martha’s Vineyard.
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Historical
Owen Roizman on Filming The Exorcist
The director of photography on what may be the most shocking film ever made describes the unique problems and challenges involved in translating a best-selling novel into stunning visual images.
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