Beyond The Frame: The Wrong Man

The Wrong Man (1956) is an unusual entry in Alfred Hitchcock’s filmography as it’s based on actual events, concerning an innocent (Henry Fonda) falsely accused of robbery. 

Photographed largely on location in and around New York City — by the director’s longtime collaborator Robert Burks, ASC — this almost documentary-style thriller marked the only time Fonda worked with Hitchcock (both pictured here).

This was also the director’s penultimate black-and-white theatrical feature, with Psycho (1960) being his last. 

As a visual motif, Hitchcock and Burks frequently composed shots with their characters behind bars, accentuating the feeling of being trapped. Burks and Hitchcock would collaborate on a total of 12 films, including Strangers on A Train, I Confess, Dial M for Murder, To Catch A Thief, Vertigo, North by Northwest, The Birds and Marnie. 

While not as popular as some of his more famous pictures, The Wrong Man was fiercely championed by critics as perhaps the director’s finest.


Comments

Subscribe Today

Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource.

Print Edition   Digital Edition
November 2018 AC Magazine Cover October 2018 AC Magazine Cover September 2018 AC Magazine Cover