Jay Holben
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Feature
Truth in the Image: Greig Fraser, ASC, ACS
The award-winning Dune cinematographer discusses his history, career and philosophies — and shooting The Batman.
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Profile
Dan Sasaki: The Man Behind the Glass
Panavision’s lens expert earns the inaugural Curtis Clark ASC Technical Achievement Award.
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Historical
Secondhand Lions: Tall Tales
Shot by Jack N. Green, ASC, this come-of-age yarn puts a pair of colorful characters in the spotlight.
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Feature
Dune: Fear Is the Mind Killer
Greig Fraser, ASC, ACS frames this sci-fi epic for director Denis Villeneuve.
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Feature
Dune — Hybrid Finishing: Digital to Film (and Back)
This unique post process done at FotoKem “added a depth and substance to the image that’s a bit intangible,” says Greig Fraser, ASC, ACS.
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Historical
Sunshine: Let There Be Light
Alwin Küchler, BSC uses three formats and creative visual effects to realize Danny Boyle’s sci-fi thriller, which sends a team of astronauts on a mission to revive the dying sun.
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Español
Entendiendo los filtros polarizados
Los efectos de estos filtros especiales no pueden imitarse fácilmente con trucos digitales, lo que hace que la comprensión de su uso sea importante para todos los cineastas creativos.
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Feature
Working Remotely: Cinematography Across Continents
Markus Förderer, ASC, BVK discusses his experience with “remote” shooting to ensure health and safety for cast and crew.
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