Iain Marcks
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Feature
Digging Into Foxhole
Cinematographer Collin Brazie deploys large-scope photography on a small scale for director Jack Fessenden's sophomore feature.
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Feature
Passing Time: The Card Counter
Cinematographer Alexander Dynan and director Paul Schrader reteam to further explore the transcendental style.
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Feature
Making The Long Walk in Laos
Cinematographer Matthew Macar learns to “use what you’ve got” on the set of Mattie Do’s Laotian ghost story.
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Interview
A House to Die For: Filming The Girl Before
Eben Bolter, BSC details his creative approach to lighting and photographing a murderous flat with a mind of its own.
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Feature
Colin in Black & White: The Kaepernick Gallery
Matthew J. Lloyd, ASC and director Ava DuVernay explore an activist’s athletic origins in Netflix’s hybrid narrative series.
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Feature
Personal Hell: The Sacred Iconography of Jacob’s Ladder
Cinematographer Jeffrey L. Kimball, ASC summons a vision of the afterlife in Adrian Lyne's 1990 horror classic.
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Feature
Visual Analysis: Contact
Don Burgess, ASC reaches for the cosmos in this ambitious science-fiction drama.
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Feature
The Darker Side of Mark Irwin, ASC, CSC
The cinematographer reflects on his career-building collaboration with David Cronenberg and the creation of some of cinema’s most fantastic (and shocking) images.
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