George E. Turner
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Historical
Sophisticated Visuals on Grand Scale for Die Hard
The team from Boss Film Effects details just how they were able to blow up Nakatomi Plaza and throw Hans Gruber out the window.
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Historical
Who Framed Roger Rabbit? A Crew of 1,000s, That’s Who!
Director of photography Dean Cundey, ASC, details what it was like filming this revolutionary project in England and the difficulties that came with it.
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Historical
Du Maurier + Selznick + Hitchcock = Rebecca
Disparate elements combine to deliver a classic exercise in atmospheric suspense.
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Historical
Two-Faced Treachery: Dr. Jekyll and Mr. Hyde
By breathing life into this classic tale, director Rouben Mamoulian and cinematographer Karl Struss, ASC set an eerie tone for schizophrenic chillers to come.
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Historical
Eccentric Is the Word for Beetlejuice
Shooting director Tim Burton's comedic tale of ghosts and the afterlife was a creative challenge for cinematographer Thomas E. Ackerman.
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Historical
Hunting The Most Dangerous Game
Looking back on the creative — yet budget-conscious — production of this influential Pre Code 1932 thriller, which has been remade numerous times since.
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Historical
The Thing From Another World
Behind the scenes with one of the first “alien invasion” films of the 1950s, and certainly one of the best.
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Historical
Back to the Future: Wheels on Fire
Visual effects supervisor Ken Ralston and the ILM effects team behind 1985’s biggest hit.
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