George E. Turner
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Historical
Who Framed Roger Rabbit? A Crew of 1,000s, That’s Who!
Director of photography Dean Cundey, ASC, details what it was like filming this revolutionary project in England and the difficulties that came with it.
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Historical
Du Maurier + Selznick + Hitchcock = Rebecca
Disparate elements combine to deliver a classic exercise in atmospheric suspense.
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Historical
Two-Faced Treachery: Dr. Jekyll and Mr. Hyde
By breathing life into this classic tale, director Rouben Mamoulian and cinematographer Karl Struss, ASC set an eerie tone for schizophrenic chillers to come.
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Historical
Eccentric Is the Word for Beetlejuice
Shooting director Tim Burton's comedic tale of ghosts and the afterlife was a creative challenge for cinematographer Thomas E. Ackerman.
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Historical
Hunting The Most Dangerous Game
Looking back on the creative — yet budget-conscious — production of this influential Pre Code 1932 thriller, which has been remade numerous times since.
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Historical
The Thing From Another World
Behind the scenes with one of the first “alien invasion” films of the 1950s, and certainly one of the best.
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Historical
Back to the Future: Wheels on Fire
Visual effects supervisor Ken Ralston and the ILM effects team behind 1985’s biggest hit.
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Historical
Terminator 2: Judgment Day — For FX, The Future Is Now
In a recent interview regarding ILM's extraordinary work on Terminator 2, Dennis Muren, ASC takes a knowledgable look into the future of motion-picture visual effects.
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