Panavision/Light Iron’s LINK HDR Offers HDR Pipeline Solution

Opening up access to high-dynamic range images on set will enable a more inclusive creative process and help deliver a more accurate final version of the cinematographer’s vision.

ASC Master Class: On Film

A special session of the ongoing education program focuses on shooting with motion-picture stocks — ensuring that photochemical knowledge, expertise and creative passion is passed on to the next generation.

Artfully Capturing Comedy: Will & Grace

Emmy-winning cinematographer Gary Baum, ASC discusses his multi-camera lighting approach on the long-running series.

ICS 2018 — The Crown: A Conversation with Adriano Goldman, ASC, ABC

The cinematographer details his award-winning work on the period series, shooting with the Sony F55 and changing looks to elicit drama, story and character.

ICS 2018 — Large-Format Work for Dunkirk

Director-producer Christopher Nolan, Hoyte van Hoytema, ASC, NSC, FSF and producer Emma Thomas discuss their World War II drama, Imax and shooting 65mm film.

ACES for Indies

The Academy Color Encoding System is a high-end image control tool that’s available to filmmakers at every level.

Open House During “Inspiration” Event at the ASC

ICS 2018 — Academy of Motion Picture Arts & Sciences: ACES and More

Experts discuss their experience with using the ACES and detail latest methods to understanding the color characteristics of solid-state lighting sources.