David E. Williams
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Interview
John Bailey, ASC: Inside the Outsider
The cinematographer discusses his career behind the camera, his love for international cinema, his tenure as president of The Academy and what it takes to succeed in a very difficult business.
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Historical
Beyond the Frame: Baby Doll
Looking back on cinematographer Boris Kaufman, ASC — an Oscar winner for On the Waterfront and nominee for this tawdry tale set in the Deep South.
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Interview
Family Business: Supernatural
Serge Ladouceur, CSC details how his visual approach to this imaginative, long-running genre series evolved with storytelling tactics and technology, leading to new creative choices.
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Feature
Cameras in Shooting War: AC in the 1940s
The tumult of the 1940s was reflected in the pages of American Cinematographer as the global conflict of World War II called for total motion-picture coverage.
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Historical
Crash: Auto Erotic
Director of photography Peter Suschitzky discusses the methods and motivations behind his latest feature, Crash.
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Feature
American Cinematographer: 100 Years of Coverage
The ASC’s magazine of record celebrates its first century of documenting a collaborative art form’s tools, techniques and creativity
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Profile
Cinematic Glory: Freddie Francis, BSC
The legendary English cinematographer/director discussed his exceptional career as the American Society of Cinematographers honored him with its International Award in 1998.
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Historical
Wrap Shot: Dark Passage
After shooing To Have and Have Not and The Big Sleep, cinematographer Sidney Hickox, ASC completed a Bogart/Bacall film noir trifecta with this 1947 classic.
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