Herb A. Lightman
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Historical
The Filming of Medium Cool
How Academy Award-winning cinematographer Haskell Wexler, ASC scripted, co-produced, directed, and photographed a cinema classic.
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Historical
Robert Burks, ASC Photographs The Fountainhead
One of Hollywood’s youngest and most original directors of photography, combined lens and lighting to produce a clean modern style that is perfectly keyed to the mood and theme of this unusual story.
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Historical
Terror in 3-Dimension: House of Wax
Peveral Marley, ASC’s commendable 3-D filming of Warner Bros.’s horror picture demonstrates the dramatic value of stereo cinematography.
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Historical
The Photography of Charade
An interview with Charles B. Lang, Jr., ASC — who filmed the project on a variety of practical locations throughout Paris.
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Historical
An Old Master Shows Some New Tricks on Sunset Boulevard
“I believe that a motion picture should be alive and not dead — spontaneous instead of calculated,” says director of photography John F. Seitz, ASC.
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Historical
Blade Runner: Cronenweth’s Photography
The director of photography works to achieve the classical noir look Ridley Scott wanted for his futuristic sci-fi masterpiece.
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Historical
Best Achievement In Cinematography: Butch Cassidy and the Sundance Kid
Conrad Hall, ASC, awarded coveted Oscar as top cinematographer of 1969, discusses challenges and techniques of photographing the winning film.
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Historical
On Location With Ryan’s Daughter
American Cinematographer editor journeys to an isolated corner of Ireland to observe filming of this new David Lean production.
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