Herb A. Lightman
-
Historical
Robert Burks, ASC Photographs The Fountainhead
One of Hollywood’s youngest and most original directors of photography, combined lens and lighting to produce a clean modern style that is perfectly keyed to the mood and theme of this unusual story.
-
Historical
Terror in 3-Dimension: House of Wax
Peveral Marley, ASC’s commendable 3-D filming of Warner Bros.’s horror picture demonstrates the dramatic value of stereo cinematography.
-
Historical
The Photography of Charade
An interview with Charles B. Lang, Jr., ASC — who filmed the project on a variety of practical locations throughout Paris.
-
Historical
An Old Master Shows Some New Tricks on Sunset Boulevard
“I believe that a motion picture should be alive and not dead — spontaneous instead of calculated,” says director of photography John F. Seitz, ASC.
-
Historical
Discussing the Set Design of Blade Runner
Creating the look of the future, and the thought process behind it, as explained by director Ridley Scott and “visual futurist” Syd Mead.
-
Historical
Blade Runner: Cronenweth’s Photography
The director of photography works to achieve the classical noir look Ridley Scott wanted for his futuristic sci-fi masterpiece.
-
Historical
Best Achievement In Cinematography: Butch Cassidy and the Sundance Kid
Conrad Hall, ASC, awarded coveted Oscar as top cinematographer of 1969, discusses challenges and techniques of photographing the winning film.
-
Historical
Owen Roizman on Filming The Exorcist
The director of photography on what may be the most shocking film ever made describes the unique problems and challenges involved in translating a best-selling novel into stunning visual images.
Subscribe Today
Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource.
Print Edition Digital Edition
