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New Product
Sigma Offers Trio of New High Speed Primes
Their 28mm (T1.5) FF, 40mm (T1.5) FF and 105mm (T1.5) FF High Speed Primes designed for full-frame shooting bow at IBC 2018.
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New Product
Cooke Optics Anamorphic “i” Full Frame Plus
IBC 2018: A new range of large format anamorphics for 35mm sensors plus new Super 35 Panchro/i Classic lenses.
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New Product
DigitalFilm Tree Is All-In On Resolve
Known to the industry as DFT, the post, color and VFX house is the first company to move to an entirely Blackmagic editing backbone.
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Historical
Beyond The Frame: American Graffiti
Where were you in ’62? Shooting the iconic 1973 coming-of-age California car-culture classic with director George Lucas.
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Feature
Christopher Robin: Making Magic with Mixed Formats
Online Exclusive: Cinematographer Matthias Königswieser on how he combined 35mm and 65mm film with digital capture to create nostalgia in a fresh perspective on beloved characters.
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Feature
Long Road Home: How It Ends
Peter Flinckenberg, FSC and director David M. Rosenthal welcome AC to the Canadian set of Netflix’s apocalypse road movie.
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Feature
Star Trek: Discovery’s Mirror Universe Exhibition, Plus AC’s Trek Retrospective
A photo tour of San Diego Comic-Con 2018’s Mirror Universe exhibit, plus AC’s deep dive into 50 years of Star Trek cinematography and visual effects.
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Historical
Flashback: The Matrix
Take the red pill to revisit the trendsetting 1999 sci-fi action hit photographed by Bill Pope, ASC.
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